Fellow Profile
Jess Zimbabwe
“At first glance, the Rose Fellowship seems like a luxury because it allows the fellows the to devote three years of their time and expertise towards design projects in low-income communities. In reality, the program has the capacity to make the case that good design should never be considered a luxury, but a necessity in these neighborhoods.”
— Jess Zimbabwe
Fellowship Host:
Urban Ecology
Oakland/San Francisco, CA
The center is an adaptive re-use of a historic building in the San Antonio District, one of Oakland’s most diverse low-income neighborhoods. Previously, host Urban Ecology had spread itself thin in an attempt to offer community design services to a number of neighborhoods. Its impact, however, was limited in terms of getting plans adopted or built. Jess’ contribution to the project helped Urban Ecology learn the value of a sustained, long-term relationship with a community partner.
Jess is now the director of the Mayors’ Institute on City Design, as well as vice president for programs at the American Architectural Foundation. She has worked with over 120 American mayors and cities to help local leaders better understand urban design so that they can advocate for the built environments in their communities. Jess developed the first-ever international Mayors’ Institute in Warsaw, Poland, and oversees the Great Schools by Design program, which provides leadership development in design for local school leaders. She serves as President of the Association for Community Design and is a licensed architect, a certified city planner, and LEED Accredited Professional. Jess holds master’s degrees in architecture and city planning from U.C. Berkeley, and a bachelor’s degree in architecture from Columbia University.
Gallery
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Jess Zimbabwe


by Jess Wendover
Area residents learn about the EastSide Arts & Housing project at a community meerting.


by Jess Wendover
The exterior of the building during renovation.


by Jess Wendover
A sketch of the possible exterior of the building after completion.


by Jess Wendover
The design of the recording studio included an acoustic break around the entire assembly. (Notice the cut in the floor at the door threshhold.)


by EastSide Arts Alliance
An EastSide dancer shows off her skills at a competition.


by Jess Wendover
The interior of the cultural center space as the Eastside artists saw it for the first time.


by Jess Wendover
EastSide Artists painted murals on the construction site plywood barricade, and after the building opened, these murals were re-used at the rear of the building.


by Jess Wendover
Site selection for the EastSide Cultural Center was particularly complicated by political boundaries, redevelopment funding boundaries, and a shortage of sizeable lots available in the community.


by Jess Wendover
A sketch floor plan of the new Cultural Center.


by Jess Wendover
Jess toured several other arts spaces with artists from Eatside (at right in this photo) and architect of record Paul Okamoto (in center) to learn about the best design for dance, theater, and gallery spaces.




